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Matthew Harrison's RHYTHM THIEF (1994) - world premiere 4K restoration with director in person

Praised by Martin Scorsese and awarded at Sundance, we present the world premiere restoration of Matthew Harrison’s gritty and electrifying NYC street drama.

Matthew Harrison's RHYTHM THIEF (1994) - world premiere 4K restoration with director in person
Matthew Harrison's RHYTHM THIEF (1994) - world premiere 4K restoration with director in person

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Sep 25, 2024, 8:00 PM

2220 Arts + Archives, 2220 Beverly Blvd, Los Angeles, CA 90057, USA

CLICK HERE TO BUY TICKETS

Rhythm Thief

Directed by Matthew Harrison

1994, U.S., 88m, DCP

World premiere of a new 4K restoration, courtesy of Kino Lorber

Followed by a conversation with director Matthew Harrison. 30th anniversary!

Matthew Harrison’s gritty and electrifying NYC street drama—made for $11,000 at the height of the ‘90s American indie boom—is a time capsule of hard-knock city living in a pre-gentrification Lower East Side, shot in hypnotic high-contrast black-and-white. A cassette-tape bootlegger (Jason Andrews) is down and out on Delancey Street, barely scraping out a living while seeing his on-and-off girlfriend (Kimberly Flynn) and fending off his wannabe-sidekick (Kevin Corrigan), eventually incurring the wrath of a group he’s ripped off (led by Bush Tetras singer Cynthia Sley). Upon its 1994 release, Rhythm Thief was praised by Scorsese and walked away with a directing prize at Sundance, yet has remained among what Richard Brody describes among a “lost generation of independent films” from the 1990s. We are thrilled to present a new restoration of this ‘90s indie classic ripe for rediscovery.

Winner: Special Jury Mention for Directing, Sundance Film Festival, 1994

“Inventive, exciting, original.” -Martin Scorsese

"In its best moments this crude black-and-white film has the edgy, loose-jointed spontaneity of a hip-hop, avant-funk "Breathless," but one with a grimier neo-realist view of urban life." -The New York Times

“[I] immediately admired Harrison’s tender but subtle comic inventiveness, his sense of place, and his hard-nosed practical vitality—the authentic tough-mindedness and feel for the desperately high stakes of just getting by.” -Richard Brody, The New Yorker

Special thanks to George Schmalz (Kino Lorber).

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